Remember the fields…

A colourful field of wildflowers with pools of water and drifting clouds
A scene from Howl’s Moving Castle (2004) by Hayao Miyazaki

Isolation

I prefer to be alone. Growing up, I felt as if there was no one to defend, protect, value and recognise me. Early on, I learnt the benefits of separation as a way of coping with this reality. But, the emotional stuntedness, detachment and isolation I began to experience as a result, left me feeling disconnected from others, especially the people who were “supposed” to love me. I don’t pretend to speak for all people with dysfunctional backgrounds, but we tend to feel numb and consequently unable to form healthy relationships. Because we feel like aliens, the best we can do is to imitate behaviours that help us pass off as human. Even when we are besotted with someone, we struggle to connect on anything more than a superficial level because we are afraid of exposure.

The wasteland within

To me, love is an unattainable ideal, an experience I must be denied. Somewhere, in the recesses of my soul, a siren sweetly sings of how hateful, shameful and worthless I am. My relationships fail because I subconsciously engineer them to do so. My inner landscape is so devastated that I am incapable of inviting anyone in. In fact, I dread visiting there, myself! If they saw what a wasteland it is, they would run for the hills! I don’t invest much of myself in a relationship—I dare not! Too many forbidden forests would have to be visited and too many treacherous tombs excavated in order for me to open up in any meaningful way. And so, I play along until the relationship comes to its inevitable end. With the self-sabotage complete, I can retreat again to the familiar places.

Beautiful barrenness

One gets used to the wastelands. So much so that the barrenness becomes beautiful. Any green is regarded with suspicion. How can there be green when there is no rain? When the storms bring only darkness and howling winds, blowing up disorientating clouds of dust? Surely, there are only thorns and weeds to choke the ruins of what could have been? Aren’t all the landmarks hills of anger, pain and sadness, the constants we learn to love over time? They seem inextricable from the landscape, how can one ever abandon them for happiness? Is happiness not just an unexpected flower that wilts and withers the moment it is seen? (And what a relief when it does, no longer there to remind us of our loss!)

Finding the fields

And yet, there is hope! Occasionally, I come across fields of wildflowers, miraculous and wonderful. I discover them in the wastelands when music, like an irresistible siren song, draws me to where they are. Once there, I can destroy myself on the rocks of beauty to be reborn for a moment into something free, hopeful, vulnerable, honest, unspoilt and untamed! I wish I could remain there, but as I wander the wasteland, traversing vast stretches of everyday life, the fields are soon forgotten. I even forget that music is who I am, it is what I should do. Distracted, I stumble aimlessly along. And that is why I created Forgotten Fields. It is like a map and compass, reminding me that the fields exist, that I must not forget them, that music is the way to find them. Dear reader, what is your music? What is your map and compass? May you find it, soon!

FORGOTTEN FIELDS

Making a Master

Over to the pros

My mixes are complete. Today, I sent them to the mastering studio. I have made them as good as I can and it’s time to hand things over to the professionals. The mastering studio will do all kinds of technical things to improve the sound of the tracks. To this end, they will correct and compensate for any shortcomings in my mixes and optimise the audio for consistent playback on all systems. At the end of the process, we will have an album master copy from which all other copies (for example, mp3s) will be made. Mastering is a fascinating art, involving technical knowledge and a great ear—I am more than happy to leave that part of music production to the professionals.

Space Magnetic

I am working with Space Magnetic, a mastering studio I discovered, a few years ago. They’re a great fit for me because they are affordable—Forgotten Fields is very much a bootstrap project—and listening to some of the music that have gone through their studio, I have every confidence in their ability. Today, many studios do automated mastering, running tracks through software algorithms and hoping for the best. Space Magnetic does not. “We work with each song, individually. We rely on our ears and equipment.” I like the sound of that.

FORGOTTEN FIELDS

Thoughts and Things of Autumn 

https://youtu.be/bXOH_GzfGPA

Pastoral bliss

Autumn is a time when the earthy beiges of summer turn verdant green. In the countryside, where I am fortunate to reside, this change in the landscape marks the beginning of my favourite time of the year. As the season progresses, the wheat stands tall enough to blow in the wind. Their wavelike movement always reminds me of Winternag (Afrikaans for “winter’s night”), a poem by Eugène Marais. In it, he likens the grasses blowing in the wind to beckoning hands. And that is exactly how I experience them. They invite me; the fields call out to me! I am compelled to stand in their midst and revel in their beauty!

A poem

In the autumn of 2012, I listened almost exclusively to the music of July Skies. Their gentle blend of disarming instrumentals and melancholy vocals made me fall in love with my surroundings, over and over again. So much so that I was inspired to write Autumn, which I humbly share with you, here:

Autumn

I smell the wispy, rising smoke as autumn fires burn,
I feel the crispness of the air as shortened days return.
How the sky seems clearer,
Bluer in the cold;
How the green hills dearer
Than all of summer’s gold!

Mornings come with gentle mist that quietly greets the day,
All about the countryside the brightest hues are grey.
I need only wait a while
Before the hills appear;
I need only see them smile
My heart to fill with cheer!

I wonder at the long, thick grass that won’t give up the dew,
Midday finds them glistening still, in gentle sunlight, new!
Soon the day is ending,
Already evening falls;
To the moon ascending,
I hear a nightjar calls!

When the rainfall comes, the shallow rivers flood
Drizzle turns to torrents and moistened soil to mud.
Now and then the sun will show
Through heavy cloud to shine;
Now and then, the winding road
To make a silvery line!

FORGOTTEN FIELDS