Looking ahead

A screen shot from Limbo, the game by Playdead
A screen shot from Limbo, the game by Playdead: http://www.playdead.com

In limbo

I find myself in an odd position. In the period between the completion of Airship and its release, I have been itching to start work on a new album. The thing is, I imagined Airship would “run its course” (to quote a fellow musician), before I moved on to new material. But, I could not help myself, I had to start composing again. In fact, I have two albums’ worth of ideas waiting to be developed into finished pieces.

A new direction

As far as style is concerned, I am interested in adding distortion and including more variation. I am a great lover of the drone genre, in which repeating phrases play a major role. Airship is heavily influenced by this idea. Repetition is at the front and centre of every track, everything is built around a looping melody. But the more I think about new music, the more I want to de-homogenise the listening experience.

A fresh perspective


One exciting development is the possibility of collaborating with dark ambient artist Krzyzis. His Sustainability (2016) made a big impression on me. He has developed a way of working with distorted sound, which allows him to create incredible textures in his music, giving it an immersive depth and mass. He has expressed interest in giving his input on new material, so I am really looking forward to the months to come.

FORGOTTEN FIELDS

Airship album trailer

The footage

I discovered a Universal City Studios newsreel in the public domain, covering the Hindenburg disaster of 1937. For the Airship album trailer, I used video from the first half of the newsreel, showing the airship in flight, as the newscaster sets the scene for the accident. In the second half, the Hindenburg’s final moments are described in dramatic language, with footage to match. It is a moving film, telling the story of the world’s most famous airship disaster.

The track

Accompanying the imagery is an excerpt from the album title track, a seven-minute instrumental piece describing an airship appearing on the horizon, sweeping overhead, and sailing into the distance. The music is slow and dignified, making for a somewhat dramatic trailer. But, I think it is appropriate. To me, airships are the most breathtaking things ever to grace the skies; the album is my attempt at conveying the awe they inspire. I hope I have succeeded.

FORGOTTEN FIELDS

Mooring Mast, a poem

USS Los Angeles does a spectacular nose stand whilst tied to the mooring mast at Lakehurst, New Jersey (1926). The 200-metre (660-foot) airship was upended by a turbulent wind, but slowly righted itself. There were no serious injuries to the crew of 25.
USS Los Angeles does a spectacular nose stand whilst tied to the mooring mast at Lakehurst, New Jersey (1926). The 200-metre (660-foot) airship was upended by a turbulent wind, but slowly righted itself. There were no serious injuries to the crew of 25. (Images: Navy Lakehurst Historical Society)

Airships and their lovers

A hopeless romantic—at least, when it comes to lighter-than-air flight—I have written my third airship poem. The first was Silently You Sail, on an airship in flight (the words became lyrics to the track by the same name on the Airship album), and the second, Sheltering Airships, on airships in their hangars.

Airships and their masts

This time, I have focused on the mooring mast. A mooring mast is a docking point for an airship. It is, essentially, an enormous tower fitted with a mechanism at its top to which the airship bow is fixed by a mooring line. I recently saw footage of this process and it reminded me of a kiss: shall we say, a finely judged procedure.

Left: British MPs walk onto the R101 airship gangplank, in Cardington, England, in the 1920s. (Image: Library of Congress) Right: A close-up view of an airship being prepared for undocking. (Image: Unknown)
Left: British MPs walk onto the R101 airship gangplank, in Cardington, England, in the 1920s. (Image: Library of Congress) Right: A close-up view of an airship being prepared for undocking. (Image: Unknown)

Airships and their battles

Winds and rain can cause an airship to lose altitude, especially in freezing conditions where ice forms on the hull. The airship is weighed down, making manoeuvering difficult or impossible, resulting in disaster. The poem describes the mooring mast as the lover of such an ill-fated airship. Like Silently You Sail and Sheltering Airships, it is short and sweet, but I hope it captures this fanciful romance:

Mooring Mast

The lonely tower waits in vain
In an icy field,
Unaware of what befell
The airship in the wind.

Earlier that fateful day,
Softly in the mist,
One last time the zeppelin
He had gently kissed.

FORGOTTEN FIELDS