Wat swewe soos ’n wysie

Pronounced [vutt sweevuh swis uh veyssy]1, the above is a line composed for “Skaapwagterjie”, the Afrikaans counterpart2 of “Shepherd Girl”. It translates to “That floats like a tune”, which does nothing to convey the alliterative and onomatopoeic beauty that Afrikaans achieves in this simple string of syllables. Incidentally, I am unable to use the line as no configuration of the stanza in which it is meant to appear permits me; but what a joy to have conceived of it!

  1. The [uh] like the “a” in “about”.
  2. I now prefer “counterpart” as a description of “Skaapwagtertjie”’s relationship with “Shepherd Girl” rather than “translation”. Whilst the process is that of translation, my goal is an Afrikaans poem in its own right.

Ever refining the Introduction and Artist Statement on the About page, these are the latest changes toward a clearer and simpler description of my work:

About Introduction Before, 15 May 2020. Copyright 2020 Forgotten Fields. All rights reserved.About Introduction After, 15 May 2020. Copyright 2020 Forgotten Fields. All rights reserved.About Statement Before, 15 May 2020. Copyright 2020 Forgotten Fields. All rights reserved.About Statement After, 15 May 2020. Copyright 2020 Forgotten Fields. All rights reserved.

“Skaapwagtertjie” is following the same path of development as its English counterpart, “Shepherd Girl”, with an early resolution of all the stanzas but the second. Just like “Shepherd Girl”, two weeks into its composition, the drafts for stanzas one, three and four are reduced to one or two versions, whilst for stanza two, there are more than ten (from a total of about twenty) yet to be whittled down to that number. This is my task in the days to come.