It’s a Bird… It’s a Plane… It’s an Airship!

Catharsis through repetition

Music has always been my recourse whenever I need to reflect on life and process my experiences. I make experimental music in the ambient electronic genre because it is inherently meditative and I want my music to have that quality in some form. In pursuit of this, I build my music around loops, using repeating melodies like mantras. Each repetition distills some things and crystallises others, whether they are thoughts, ideas or emotions. This cathartic cycle directly informed my approach to the music on Airship. I methodically assembled layers of musical phrases around a central refrain, which either plays throughout the track or emerges at a key moment.

Airship origins

I first came across airships in Hayao Miyazaki’s Laputa: Castle in the Sky and Kiki’s Delivery Service. In “Laputa”, an airship is a mythical machine dominating the sky, and in “Kiki”, a majestic but fragile giant. However, it was the song “Airships” by VNV Nation that planted the seeds for what eventually became Airship. Its lyrics describe an airship as a symbol of humanity’s hopes and dreams, a theme that resonated with me, very powerfully. I wanted to create something similar in experimental music and this concept album was the result.

An unconventional soundtrack

Airship is an unconventional soundtrack to lighter-than-air flight. Each track describes an aspect of airship travel: the preparations before departure (“Hangar”, “A Good Day for Flying”); the impressive scale of the aircraft (“Giant in the Sky”); its stateliness in flight (“Airship”); the romance of its journey (“Silently You Sail”); and its arrival (“Destination”). I wanted to inspire nostalgia and to convey wonderment and awe, but I also wanted to communicate the risks involved: bad weather and mechanical failure were ever-present threats that could spell disaster, and I express this reality in the sombreness of the music.

Just one track

If you only had time to listen to one track on the album, I would recommend the title track, “Airship”. It describes an airship as it appears on the horizon, sweeps overhead, and sails into the distance. The music is slow and dignified—almost cinematic. It is my best attempt at capturing my fascination with airships in music. It was also an opportunity to use a French horn, one of my favourite instruments. I hope it resonates with you as it does with me and that it inspires you to hang on to your own sense of wonder.

Airship is available at music.forgottenfields.co and on all music platforms, including Amazon, Apple, Google, Spotify and Tidal.

FORGOTTEN FIELDS

Days to go…

Airship LZ 4 on Lake Constance, Germany, 4 August 1908.
Airship LZ 4 on Lake Constance, Germany, 4 August 1908.

Excited and nervous

It is seven days till the launch of my first album, Airship. I am excited because I am eager to officially share my music. It felt as if 12 December would never come—and now it is just days away! I am also nervous because I find myself questioning every creative decision I have made. Putting your work out there is a litmus test of how good you are. When something as personal as your music comes under fire, it can be devastating. But, I have not been without encouragement. There have been pre-orders, positive comments, upvotes and likes; and a few days ago, the band whose song began my airship obsession tweeted: “Love what I heard.”

Forgotten Tweets and Minds

Lately, I have been active on Twitter and Minds, and have also been posting on Google+. In the build-up to the launch of Airship, I find myself ever more obsessed with the history of lighter-than-air flight. This has resulted in daily posts on the subject with documentary photographs. I welcome you to join me on Twitter (@forgottenfield), Minds (@forgottenfields) and Google+, if you are on these platforms. I look forward to seeing you there and I hope you will share in my excitement for the upcoming release!

FORGOTTEN FIELDS

Looking ahead

A screen shot from Limbo, the game by Playdead
A screen shot from Limbo, the game by Playdead: http://www.playdead.com

In limbo

I find myself in an odd position. In the period between the completion of Airship and its release, I have been itching to start work on a new album. The thing is, I imagined Airship would “run its course” (to quote a fellow musician), before I moved on to new material. But, I could not help myself, I had to start composing again. In fact, I have two albums’ worth of ideas waiting to be developed into finished pieces.

A new direction

As far as style is concerned, I am interested in adding distortion and including more variation. I am a great lover of the drone genre, in which repeating phrases play a major role. Airship is heavily influenced by this idea. Repetition is at the front and centre of every track, everything is built around a looping melody. But the more I think about new music, the more I want to de-homogenise the listening experience.

A fresh perspective


One exciting development is the possibility of collaborating with dark ambient artist Krzyzis. His Sustainability (2016) made a big impression on me. He has developed a way of working with distorted sound, which allows him to create incredible textures in his music, giving it an immersive depth and mass. He has expressed interest in giving his input on new material, so I am really looking forward to the months to come.

FORGOTTEN FIELDS