Launching the Anthology

A Dam in the Still, 25 July 2020. Copyright 2020 Forgotten Fields. All rights reserved.
I took this photograph today on a perfect late-winter morning in South Africa.

A Late Winter Launch

Today was another winter idyll. It convinced me that late winter is the ideal time to launch this anthology: the days are crisp and clear, flocks bleat on the hills, and the pear tree blooms in the valley.

There are fourteen sketches left to develop. It takes me around four weeks to transform drafts into complete poems. Therefore, I project the compositions will be finished next year, about this time.

Protracted, but Appropriate

That would mean two more years before I publish them, if I were to commit to this late-winter launch date. This suits the project, since some time must be spent on producing the handmade books.

Moreover, I intend to devote a considerable amount of time to the creation of items supplementary to the anthology—a year to attend to these suits me well—wherefore I anticipate a launch only in 2022.

A Radiant Road in the Rain

A Radiant Road in the Rain, 13 July 2020. Copyright 2020 Forgotten Fields. All rights reserved.

It is winter in my country, South Africa, and one of my favourite sights is the radiance of this road in the rain. When the clouds part, it shines silver in the sunlight—a simple occurrence that is an integral part of my sense of place1.

In the original 2012 version of the poem “Autumn” (my first Romantic work), this scene appeared; but, in the revised 2020 version, instead of the road, it became the river reflecting the sun (to preserve the concept of the stanza).

  1. By “sense of place”, I mean one’s conception of “home”, as shaped by environmental components, such as topography, architectural style, rhythms, rituals, sights and sounds.

“A Pear Tree” is Finished!

"A Pear Tree" Stanza Format, 18 July 2020. Copyright 2020 Forgotten Fields. All rights reserved.

Today, I completed “A Pear Tree”, poem 31 in my prospective anthology of 42 lyric poems. A response to a pear tree in early bloom at the beginning of August (the last month of the South African winter), it has two short quatrains gushing over the unusual spectacle. Now that the poem is complete, I can recite it to the tree when it flowers (early again, I hope), this year! This, incidentally, is my first centre-aligned composition—a detail that seems to me wholly appropriate as a reflection of the tree’s symmetry.

Poetry Publication Progress (2020-07-18)