There is a new visitor to the wilder parts of the garden of late, what I believe to be a Cape Hare (Lepus capensis). It visits in the morningtide and again in the eventide, and is mostly unconcerned with my presence (though it is a wild animal).

A Cape Hare, 2 February 2020. Copyright 2020 Forgotten Fields. All rights reserved.A Cape Hare, 2 February 2020. Copyright 2020 Forgotten Fields. All rights reserved.

Cattle on a Hill

Cattle on a Hill, 5 December 2019. Copyright 2019 Forgotten Fields. All rights reserved.
Cows in the stubble with their young. (It is early summer in South Africa.)

I captured this impromptu photograph whilst out among the hills, late yesterday afternoon, and shared it with a friend. “It complements your art,” he said. The inverse, however, is true: my art seeks to complement it—indeed, the Overberg1 inspires the Theme (Wonder), Subject (Natural Beauty) and Style (Simple Lyric Poetry) of my work. Here, every resource must be husbanded, and the minimalism of the landscape is the result of drudgery. Both shape my attitude to words when I extol this region in verse.

  1. A rural region of the Western Cape province of South Africa.

This morning, a lesser peak of Steenbok Mountain aglow and at a distance, a small herd of (what I believe to be) Grey Rhebok.

Steenboksberg Aglow, 17 November 2019. Copyright 2019 Forgotten Fields. All rights reserved.
Steenboksberg Aglow, 17 November 2019. Copyright 2019 Forgotten Fields. All rights reserved.